VIOLIN VIOLA CELLO AND DOUBLE BASS
BOWS & INSTRUMENTS TRADITIONAL AND BAROQUE
Maker Restorer Repairs Sales of Violin Viola Cello Double Bass and their Bows
Traditional and Baroque
VIOLIN VIOLA CELLO AND DOUBLE BASS
This is my 35th instrument played beautifully here by Alex. This violin is brand new and this is the first time it has been played. It is my version of the Kruse Stradivari dating from 1721. It has a strong and robust sound with great depth and projection. It is also very quick to respond which means it takes little effort to create a sound, an aspect that my instruments have become known for. It is being delivered to its new owner today, hopefully I will get to hear it again after it has been played it.
This is cello no. 10 in the white being played by a 'mystery cellist'.
Based on 'The Sleeping Beauty' Montagnana made circa 1739. This is my preferred model, because of its broad proportions which results in robust, earthy sound with much depth and presence (like a fine wine or a good woman). I always have players test out an instrument in the white before the final varnish, to gauge the instrument's potential and for final adjustments. This particular instrument has an excellent open sounding A string and more C string than you know what to do with. Thanks very much to my willing mystery cellist!
The cello is currently being varnished and polished to within an inch of its life, as is required. And is soon to be heard in a southern Tasmanian venue near you.
The Philip Smith Double Bass bow No. 2 without underslide.
In the words of Kung Fu Panda,
'There is no charge for awesomeness or attractiveness."
It's all about plugging my way through the endless list of jobs at the moment. For a while there I seemed to have started many things and not finished anything and so my wife, very helpfully, made a list for me. With tick boxes.
This violin was ticked off last week.
On the top of the list now is another violin, but I am allowing myself to be distracted by making a double bass bow with no under slide and a lower frog. This is a return to how bows were originally made. The silver underslide was added for strength but there is a strong movement towards making bows without them. They are harder to make because the frog has to fit perfectly to the stick but it will be worth it for the
Now, I'll just finish this and get back to the list.
After many years of playing along on other people's projects, some good, some great and some ... , I have formed myself a very small unconducted string orchestra. Its essentially a string quartet with double bass. I have uncovered several very talented musicians looking for a playing opportunity and we had our first rehearsal last week. We are enjoying the intimate ensemble, but may expand if required. We fancy ourselves as a
, and hope to invite soloists to join us to play. If you fancy yourself as a soloist, and have something that you would love to perform and would like an opportunity to perform, give me a call.
I finally understand my father's love of print music. The arrival of the above repertoire last week was very exciting. I find myself continuing to search for interesting musical possibilities.
Viola in progress: My tone wood supplier in Germany spent a couple of weeks searching through his racks for this highly figured one piece maple viola wood. Based on the Andrea Gaurneri Conte Vitale 1676, it is a larger model at 16 1/4 inches with broad centre bout which should result in power and projection, at a yet manageable size.
Bass bow baguettes: BAM!
Much anticipated, long awaited, procured via a process involving nothing less than bureaucratic insanity. Number 1 Bass bow is long overdue but now underway, for my long-suffering maestro. It won't be long now Michael, I promise.
This is my new cello bow. Cello bow No.2, we shall call it, as this is my second bow and the first I have completed since returning from France last May. The process of 'tooling up' and securing supplies has been almost excruciatingly slow, one of the disadavantages of living on an island at the bottom of the Earth far from European and Brazilian suppliers. Cello bow No.2 is made from a beautiful Pernambuco stick, a gift from Lyon archetier, Sylvain Bigot. I was lucky enough to meet Sylvain in his atelier in Lyon on my travels last year, having received a recommendation to him from
, my bow making Master and mentor.
is on the second floor of a wonderful building in the smart shopping district of Lyon. To gain entry you must buzz the bell next to his nameplate at street level. The entrance is adorned with the typical white on blue street number, the brass nameplates of the occupants, wooden doors and ornate carvings in the stone architrave. Once access is given to the building you ascend the stairs to this wonderful workspace.
Sylvain gave me a very warm welcome and much invaluable advice and knowledge. He sent me away with much encouragement and the gift of this beautiful pernambuco stick so I could continue my bowmaking journey. Merci Sylvain!